John Fogerty - Revival (Album)
When I initially looked at the cover of John Fogerty’s new album, “Revival,” I thought the name was indicative of another compilation (possibly of solo songs) from the former singer-songwriter of swamp rockers, Creedence Clearwater Revival (CCR). I was wrong, as the album is actually filled with new material that is an exquisite blend of consistent alt-country swamp rock punctuated by Fogerty’s unique vocals. The quality of these new songs also ensures that many of them will no doubt grace a new greatest hits compilation for this proficient musician in the not-too-distant future.
One of the obvious themes on this record is the reference to his days (now shrouded by ambivalence) as the CCR creative genius and front man. Opener, “Don’t You Wish It Was Time,” is the epitome of great CCR music with its breezy, country sounds and political lyrics. In 2007 it appears that John’s message is akin to John Lennon’s “Imagine,” where Fogerty communicates about wanting to live in a world where the people live as one without borders or battles to be won. Similar sentiments are also offered in the following track, “Gunslinger”.
“Creedence Song” is a tome, which, as the name suggests, is about Fogerty and his former band. And I’ll let you in on a little secret here, if you listen closely you can hear the ghosts of “Suzie Q” and “Green River” juxtaposed by a modern beat in the foreground.
“Broken Down Cowboy” uses a similar riff to The Traveling Wilburys’ “Handle Me With Care”. Meanwhile, “River Is Waiting” is a floaty mix of African chanting with a U2 guitar riff and reggae-like ambience.
In addition, “Long Dark Night” offers the cleverest lyrics from the entire album, as it provides a perfect snapshot of the contemporary political landscape in the US:
“Brownie’s in the out house/
Katrina on the line/
Gulf is a disaster/
But Georgie says it’s fine”
“Rummie’s in the kitchen/
Messin’ with the pans/
Dickie’s in the back/
Stealin’ everything he can”
Conversely, “Summer of Love” is nostalgic as it looks back on the halcyon free-love period. The song also successfully recreates the spirit of the generation by utilising guitar riffs that sound like an excellent mix between what Eric Clapton offered with Cream, and of course, Jimi Hendrix’s legacy.
“It Ain’t Right” takes a swipe at Hollywood’s new batch of female celluloid heroes (i.e. your Paris Hiltons and Lindsay Lohans). Fogerty denounces their behaviour like only a seasoned star and elder person would know.
In sum, Fogerty has managed to cultivate strong solo material where other musicians who were his musical peers have failed dismally. “Revival” is an endearing record that while referencing the past does not turn away from the present, because like a maser craftsman, Fogerty uses the best aspects of the past and present for inspiration. “Revival” is an excellent and timeless mix of swamp rock that with time will no doubt deliver many new classic Fogerty hits.
